Profiles, reaching hands and precise negative intervals move through a light mineral relief. The landscape remains the quiet pause in the set.

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No. 11 — THE HUMAN INTERVAL

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Room for the human.

Pale mineral forms reveal human profiles, hands and open intervals in a landscape composition. An exploration of the space between solid form and human presence.

G Benincasa Estética · Printed World. Images show the digital artwork, not a photograph of a finished print.

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Related pieces & studies

Other works and directions to discover—not interchangeable product options.

No.01: a cropped maternal form made of timber, pale stone and moss cradles a sunlit opening. Connected geometric ridges run through the stone; light shines through lower-left wood cracks beneath the exact gold House mark and original wording.

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No. 01 — THE CHI IS IN THE G

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Rock, creek, forest and illustrated landmarks gather into an imagined reading of Morrison. The work is an artist’s composition, not a documentary map.

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No. 02 — MORRISON

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Faceted green, gold and red faces within a geometric G, against a dark connected lattice with Chiseled in Motion lettering.

Art print direction

No. 03 — CHISELED IN MOTION

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